Verse

How to leave a good man

How do you leave a good man who loves you? 

How do you leave when he doesn’t hurt 

but, you hurt nevertheless? 

—when he holds you 

but, you keep falling right through his chest? 

—when his words cradle 

but, don’t cause earthquakes? 

—when his promise is a fortress 

but, all you want is home with oceans and skies rushing in through doors and windows wide open? 

—when his love, only loves 

but, does not see. 

—when you know he will stay after breakfast 

but, he will never dwell your secret wells. 

—when he looks at you 

pleading, 

but, you remain a jagged mountain 

because embracing only makes things worse. 

And hope, is only as foolish as fear. 

 

So you stay hard, 

you stay ugly; 

and you let your life get blown along the currents of Venus and Mars 

while the rest of them throw rocks at your feet, hoping you will get back in line, 

or run. 

 

But, you stay still. 

 

You leave him. 

 

Because, if not, 

he’ll be the death of you 

and worse, 

you, of him.

 

Image—Lilith by Josh Brandao

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Verse

Because we’re all satellites

Because we’re satellites

set free in motion by the want of life,

 

we drift,

we encounter,

we love,

we fall under.

We collide,

we cry.

We drift apart,

and fly far out

until the leagues in between 

dissolve the ugly,

and aurify the pain.

 

Gold.

Wordless.

Honest.

 

When the satellites cross again—

as if by chance,

as if new,

as if it was meant to…

 

As if.

 

Until then.

                              

 

Image—Orbit by Kate Banazi

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Verse

The night of September twenty third

And I felt you break 

showering my secrets 

with a hundred million stars 

cast out new

throbbing to be

someone,

something,

a speck in the great, big sea.

           

 

Image – Avery McCarthy

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Verse

Excuses

The way I’m sitting,

the robe,

the cold,

the bowl being off-centre on the table.
 

The bladder- it’s always half full, half empty,

half full, I forget.

The cat’s whiskers being glorious,

the water boiling,

the long dust of drafting all this on the keys again.
 

The tingles on my back,

the unwatered plant- it looks like a wretched desert,

the dry patch on the back of my throat,

the water being too hot.
 

Peeing.

The preoccupation with how often I urinate,

the post-urination chill up the spine.
 

The palm trees against the pale pink sky being too good to not photograph-

being too cliche to photograph, on the other hand.

How the page absorbs ink making blotches marking my hesitations.

Him, sleeping.
 

The loneliness flickering in the light bulbs of the four a.m. train, 

and the racket that it makes.

The situation of the world in general. A distant, worn out panic.

The horror of five a.m. and them waking up, to this, to make this.
 

This whole thing of being.
 

Anything, 

something, 

to look away from this thing-

this thing I don’t interrogate for honest words, 

this thing I don’t want to see.

The fear of me,

me,

me.  

                                                                                                               

Image source unknown

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Verse

Of sunsets and pain in paradise 

The sun is burning anyway;

it doesn’t need more pain.

Earthly love

is hardly ever a bargain.
Everything hurts but tomorrow

when you like glossy covers

with pictures that cause a slow gnawing 

from the heights of paradise complex.  

 

Life cuts

as often as it wets our hearts

with soft clouds

dipped in orange dyed lagoon sunsets.
 

And we are left beating

with the fish washed fresh

off the warm waters

at some faraway paradise bay.

             
                           

Image by Andy Moine

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Line

The one thing

No one knows freedom like a slave.

             

  Image – Bernd & Hilla Becher, photographic print 2004

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Verse

The most important night of the year 

Things laid out carefully for the most important night of the year;

a private place hanging from the edge of an island,

fireworks,

dream pills,

a few heads that can talk and laugh,

a menu with options.

 

Bottled sparkles

to fill up the holes between conversation

with stars,

and light up the crystals lost in eyes.

 

Nevertheless,

it was the same.

 

In the morning between rocks, seashells, open bottles and sand

there were people broken

ordinary

by the quiet horror of

another day.

                                               

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