Verse

How to leave a good man

How do you leave a good man who loves you? 

How do you leave when he doesn’t hurt 

but, you hurt nevertheless? 

—when he holds you 

but, you keep falling right through his chest? 

—when his words cradle 

but, don’t cause earthquakes? 

—when his promise is a fortress 

but, all you want is home with oceans and skies rushing in through doors and windows wide open? 

—when his love, only loves 

but, does not see. 

—when you know he will stay after breakfast 

but, he will never dwell your secret wells. 

—when he looks at you 

pleading, 

but, you remain a jagged mountain 

because embracing only makes things worse. 

And hope, is only as foolish as fear. 

 

So you stay hard, 

you stay ugly; 

and you let your life get blown along the currents of Venus and Mars 

while the rest of them throw rocks at your feet, hoping you will get back in line, 

or run. 

 

But, you stay still. 

 

You leave him. 

 

Because, if not, 

he’ll be the death of you 

and worse, 

you, of him.

 

Image—Lilith by Josh Brandao

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Verse

Because we’re all satellites

Because we’re satellites

set free in motion by the want of life,

 

we drift,

we encounter,

we love,

we fall under.

We collide,

we cry.

We drift apart,

and fly far out

until the leagues in between 

dissolve the ugly,

and aurify the pain.

 

Gold.

Wordless.

Honest.

 

When the satellites cross again—

as if by chance,

as if new,

as if it was meant to…

 

As if.

 

Until then.

                              

 

Image—Orbit by Kate Banazi

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Verse

What went wrong

Love,

when you ask my long face

‘what’s wrong?’

– where to begin,

I don’t know;

Just now? Yesterday?

Nineteen ninety four?

Or,

the day I was born?

            

Aqua de Noche, Amy Friend 2010

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Verse

Sleeping love

You’ve fallen perfect

composed in my sight

like a monumental piece of grain

a beautiful sage.

Perfect.
 

In my wicked greed, I want you to stay asleep.
 

From every direction I see,

every way I turn you,

you’re something I wanted, something I begged for

some day, some time,

down the line.

Perfect.

 

I can dazzle all the world’s love your way, but you won’t stay.

You’ll awake.

 

I know,

I know, that the thing that binds my sight

to you is your glorious flight.

Your wake.

You looking right through me

at something far,

somewhere I don’t belong.

 

I know.

I fear.

I feel.
 

It’s the only way.

So, my beauty, without me,

go sail away.

         
 

Image – The Sleeping Man of Oguri Kohei by Nemuru Otoko, 1996

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Verse

The night of September twenty third

And I felt you break 

showering my secrets 

with a hundred million stars 

cast out new

throbbing to be

someone,

something,

a speck in the great, big sea.

           

 

Image – Avery McCarthy

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Verse

Excuses

The way I’m sitting,

the robe,

the cold,

the bowl being off-centre on the table.
 

The bladder- it’s always half full, half empty,

half full, I forget.

The cat’s whiskers being glorious,

the water boiling,

the long dust of drafting all this on the keys again.
 

The tingles on my back,

the unwatered plant- it looks like a wretched desert,

the dry patch on the back of my throat,

the water being too hot.
 

Peeing.

The preoccupation with how often I urinate,

the post-urination chill up the spine.
 

The palm trees against the pale pink sky being too good to not photograph-

being too cliche to photograph, on the other hand.

How the page absorbs ink making blotches marking my hesitations.

Him, sleeping.
 

The loneliness flickering in the light bulbs of the four a.m. train, 

and the racket that it makes.

The situation of the world in general. A distant, worn out panic.

The horror of five a.m. and them waking up, to this, to make this.
 

This whole thing of being.
 

Anything, 

something, 

to look away from this thing-

this thing I don’t interrogate for honest words, 

this thing I don’t want to see.

The fear of me,

me,

me.  

                                                                                                               

Image source unknown

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Sonder

To the Prostitute’s man by the Marine Drive Supermarket

Five forty am:

I watched you watch her

try to scrape the last chance of last night

before it faded fast into the sunlight.

– with an old man in a clean sarong

and a shirt ironed to a crispness

-that ratted a wife back home.

 

Although while scanning her shape through the skirt,

he licked his lips,

he was the type who kept his nose too clean

to go behind the Keells supermarket with her kind;

Besides it was getting too bright to hide.

 

She came back to you defeated.

 

~

 

They say you both would do anything

for a shot of heroin,

and that it was all your doing.

Is that true?

 

Did you ever love her?

Before the hell holes, strangers’ invasion and teeth rot,

was she ever beautiful?

I hear her curse you, shrilling the night

but in the morning she is still around

in the thick of your shit fight.

 

What is she holding on to in you?

– is it something sad and sentimental like

the music trapped between the dust on a forgotten wedding bouquet?

– or is it something logical like

the last thread of convention?

– or something dignified like

’till death do us part’?

– or is it just reason lost in the wind

somewhere in the mundane plains of habit?

 

 

~

 

Seven am:

Sunday morning

as Colombo lay dry sleeping,

and hungover cars were leaving

with leftovers of Saturday night and Pillawoos,

I saw you again.

 

Standing in a daze of junk

with one palm outstretched to the ocean,

it looked as if you were blessing

the great, big sea of salty tears.

 

Was that for her?

                    

Boy on East 5th Street (4th of July), 1984.

Image – Ken Schles – Boy in the East 5th Street at the height of heroin, 1984

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